A talented painter spends his vacation in Arles, where he paints a portrait of a beautiful Arlesian woman with whom he falls in love. The young girl is engaged to a very jealous guard of the Camargue. Upon learning of this long-standing affair, the painter gives up on continuing his romance and is content to create a masterpiece that will brighten his entire life.

A famous filmmaker works on his next film, which will focus on monstrosity. He is obsessed by the idea of finding a painting that will be central to the film and will crystallize all the power and beauty of monsters.

"Mireille" was filmed at the end of May, 1906, by a small team including Alice Guy, Herbert Blaché, Louis Feuillade and Yvonne Mugnier-Serand at the estate of the Marquis Folco de Baroncelli-Javon in Camargue, during their visit to Nîmes to attend the Gran Corrida organized by the local press association. Ultimately, the film never saw the light of day due to technical problems. (Maurice Gianati et Laurent Mannoni (dir.), Alice Guy, Léon Gaumont et les débuts du film sonore, New Barnet, John Libbey Publishing, 2012, p. 45).

Portrait de groupe is a film series of filmed portraits that shows all kinds of groups gathered under family pretexts, friendly or professional, in a single fixed, wide shot (style: family photo) and silent of 3 minutes and 20 seconds.

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Through the life and career of Marcel Carné, using film excerpts and archives (including touching interviews with the director), François Aymé weaves a fascinating portrait of a hypersensitive man who had to deal with his homosexuality and who, despite his brilliance, was long relegated to the shadow of his actors and Prévert, who were credited with their greatest success.

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The 20-year-old Juliette tries to come to terms with an unexpected pregnancy, despite a lack of support from the father of the child and from her mother.